Systems of organization of the pitch scale. Light is also thrown on the disputed question of the function of the left hand in lyre playing: the placing of the left hand somehow within the upper part of the tripod remains inexplicable, unless it is seen in relation to a standard technique whereby the fingers of this hand damped strings rather than plucked them. Sachs pointed out the most obvious inference: the idea of such a multiple instrument can be based only on the assumption that even at this early period modes differed radically from one another. Whether or not the instrument (or indeed its inventor) actually existed, Artemon’s account of it has importance for modal theory and organology. It had a revolving base, and a touch of the performer’s foot made the Dorian, Phrygian or Lydian mode instantly available. Membranophones (Stretched Membrane Percussion)Ī triple kithara said by the historian Artemon of Cassandrea ( fl 2nd century bce), probably following Aristotle’s pupil Dicaearchus ( fl c326–296īce), to have been invented in the 5th century bce by the music theorist Pythagoras of Zacynthus (Athenaeus, xiv, 637b–f). It makes use of both the Morse Code rhythm of her name, as well as a melody based upon its letters.Music Business, Institutions and Organizations An addendum to both these sets is Preludio sopra due soggetti cavati composed for friend, composer, and former student Sarah Gibson, in honor of her completing her doctoral degree. In the tradition of the soggetto cavato it uses the notes D and C, and D, H (=B) and C, as its thematic material, and is signed at the end with an S and H (=E-flat and B). Sonatina DCXL was composed for Donald Crockett on his fortieth birthday. The gentle lilt of the 3/4 meter and the simultaneously fluid yet static harmony put me in mind of Erik Satie, hence the title. Cast in ABA form, every vertical sonority of the A section is some inversion of a minor seventh chord, while in the B section the major seventh predominates. 4, dedicated to my wife, Lisa, is a study in seventh chords. Retumbante, composed for pianist Beatriz Roman, is based entirely upon the melody of the Brazilian national anthem, treated in an eccentric, but faithful, serial manner. Un tout petit trompe-l'oreille has encrypted within it the notes of a national anthem - the rest is a secret. As a gift for my friends Bob Littell, a novelist and former cryptographer, and Victoria Salvy, a painter who specializes in trompe-l'oeil, I composed a small guitar piece, later transcribed for piano. Sonatina-Fantasia was composed in honor of George Rochberg's 70th birthday and makes free use of his String Quartet No. Based upon Oswald's Estudo-Scherzo in B-flat minor, the piece suggests a performance of the etude at its stipulated rapid tempo but with only a handful of its notes actually being sounded, an entirely new piece being the end result. Template was requested by pianist José Eduardo Martins as a work in homage to Brazilian composer Henrique Oswald. 4 (1984) Addendum Preludio sopra due soggetti cavati (2015) While not composed as a unified set, my six Post-Modern Homages share some common features: each was composed for a friend, and each addresses a narrowly defined musical issue, either the transformation of aspects of an existing piece of music, or working with strictly limited musical means. POST-MODERN HOMAGES (1984-92) for Solo Piano Set I Sonatina-Fantasia (1987) Retumbante (1985) Template (1985) Set II Sonatina DCXL (1991) Un tout petit trompe-l'oreille (1992) Gymnopèdie No.
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